Make HERstory with Badass Cross Stitch

Have you ever seen embroidery samplers or quilts in museums, or even your own family heirlooms, and wondered what life was like for the women who made those pieces?

When Shannon from Badass Cross Stitch was gifted a couple of old embroidery projects by her future in-laws, she became consumed with the idea that the things we make are a way to tell our stories, and she decided to take that idea and make it huge.

The result is Badass Herstory, a multi-craft fiber arts project encouraging women and gender non-binary people to learn fiber arts as a way to express themselves and ultimately produce a small project that will become a part of an immense installation and a digital museum sharing the stories of each project.

This is such a cool idea and is stunningly ambitious (her goal is to collection one million pieces) but I really love it. Check out the details page for tons of great information to guide you to tell your story, produce your piece, document it and send it to Shannon for inclusion in her project.

What do you think about this? Are you going to submit? I’d love to hear your thoughts.

[Photo: Badass HERstory.]

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Celebrate International Women's Day with Cross Stitch

I have not done a lot of big cross stitch projects, but sometimes even with small projects it can be hard to decide exactly where to begin and how to work through the chart if you’re working with multiple colors. The general categories for the possible methods are known as cross country and parking.

Cross country means that you’re working one color at a time, moving around the chart (or the section of the chart you’re working on) until you’re done with that color. Parking means you’re working in a smaller section and doing all the colors in that area, “parking” the threads by leaving them attached to the canvas but out of the way while you finish each section.

Royal Rows is a specific way of parking named by Alison Royal, which is explored in detail on a post on Stitching Daily.

The idea is that you’re working one “tower” of stitches at a time (she uses a section of 10 stitches across by 20 down, but you can do whatever makes sense to you). You work all the stitches of a color at a time, starting at the top left and working your way down. When you’re done with a color you can park it where needed in the section below your current tower (known as the dungeon) or in the “east tower,” which is the section to the right.

There’s also a specific way of dealing with thread ends when you’re done with a color. This is a super simplified version (head to the blog post at Stitching Daily to get all the details) but the basic idea is that you’re working from left to right and top to bottom across the work, parking the threads in the next section when you’re done with them and systematically choosing which color to work with next.

The whole idea of parking is kind of overwhelming to me though I will admit that it makes a lot of sense. I guess I need to try it on a smallish big project and see how it goes. Do you use the parking method of cross stitch? I’d love to hear about it!

[Photo via Stitching Daily]

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