Oldie But a Goodie: Floral Cross-Stitch Graffiti

I know I have seen the work of Raquel Rodrigo before, but it’s too pretty not to share whenever you come across it.

Rodrigo makes these huge outdoor floral cross-stitch installations, which she has installed in various locations in Madrid.

They’re made by stitching with yarn on a metal grid, which can be rolled up and taken to the installation site, where it is hung on a wall. They’re really interesting because of the scale, and the designs are beautiful, too.

I feel like maybe this is something we should all be doing!

I was reminded of these designs thanks to a story at This is Colossal; you can see a lot more on her Facebook page as well.

[Photo via This is Colossal.]

Next Pattern:

Cross Stitch Patterns Featuring a Heart Shape

I recently shared a review of the book Lit Stitch, and in the lengthy introductory materials there were a few paragraphs — enough to warrant their own heading — about how, or more accurately, whether, to fix mistakes in your cross stitch.

The conclusion was that for the most part no one will notice if, for instance, you stitch the wrong color for a stitch or two in a project that has many colors all worked together.

“No one else will notice” is used as reasoning for not fixing mistakes in knitting, crochet and other crafts, too, and I think that’s valid, as long as you also don’t notice.

If you know enough about yourself to know that every time you wear a sweater or look at a finished cross stitch project your eye will be drawn to that errant purl stitch or the extra stitch, by all means, fix it. Especially in cross stitch, if the mistake is minor, it shouldn’t take long to fix and you’ll feel a lot better about your project.

Of course, there are also times other people might notice a mistake. Say you’re stitching letters and you add an extra stitch or two on one side so now the letter doesn’t match the others. Again, easy fix to remove those extra stitches, so go ahead and do it while you can.

I also subscribe to the rule from the drama that anything that can’t be seen from the seats doesn’t matter on stage. Maybe in a house it’s the six-foot rule. Stand as far away from your piece as you think a person is likely to be close to it when it’s on display. If you can’t see any mistakes, there aren’t any mistakes.

I’d love to hear how you deal with mistakes in your cross-stitching, or if you consider them mistakes at all!

[Photo: y x from Pixabay]

Get the book here: Lit Stitch