Faith, Hope, Love and Luck

Four-leaf clovers are a common symbol seen around St. Patrick’s Day, but this design is great to use on projects that might be used or displayed all year.

Designed by Amy Law, it features four four-leafed clovers with heart-shaped petals and is oriented so their stems come together in a design in the center of the chart.

** Unfortunately, this blog no longer exists and we have had to remove the link**

Stitch the whole thing for a small wall hanging or onto a tablecloth or napkins, or stitch one little shamrock on each napkin to be used at your St. Patrick’s Day dinner or any other time you’d like the luck of the Irish.

[Photo: Kreinik.com.]

Looking for more Shamrock charts and cross-stitch patterns? Check these out on Etsy

Next Pattern:

Shamrock Cross Stitch Patterns

I recently shared a review of the book Lit Stitch, and in the lengthy introductory materials there were a few paragraphs — enough to warrant their own heading — about how, or more accurately, whether, to fix mistakes in your cross stitch.

The conclusion was that for the most part no one will notice if, for instance, you stitch the wrong color for a stitch or two in a project that has many colors all worked together.

“No one else will notice” is used as reasoning for not fixing mistakes in knitting, crochet and other crafts, too, and I think that’s valid, as long as you also don’t notice.

If you know enough about yourself to know that every time you wear a sweater or look at a finished cross stitch project your eye will be drawn to that errant purl stitch or the extra stitch, by all means, fix it. Especially in cross stitch, if the mistake is minor, it shouldn’t take long to fix and you’ll feel a lot better about your project.

Of course, there are also times other people might notice a mistake. Say you’re stitching letters and you add an extra stitch or two on one side so now the letter doesn’t match the others. Again, easy fix to remove those extra stitches, so go ahead and do it while you can.

I also subscribe to the rule from the drama that anything that can’t be seen from the seats doesn’t matter on stage. Maybe in a house it’s the six-foot rule. Stand as far away from your piece as you think a person is likely to be close to it when it’s on display. If you can’t see any mistakes, there aren’t any mistakes.

I’d love to hear how you deal with mistakes in your cross-stitching, or if you consider them mistakes at all!

[Photo: y x from Pixabay]

Get the book here: Lit Stitch