Cross-Stitch

Charts, patterns and everything needlepoint

Stitchers Share Snarky Reactions to Design Contest

by

artist compensation design contest

I don’t know what thread maker DMC was thinking when it proposed a design contest in which the winner’s design would be made into a pattern without compensating the designer, but the design community definitely didn’t like the idea.

Because entry into the contest was to be done through a hashtag, stitchers took to social media to protest the contest, with stitched obscenities and designs related to not being able to pay bills with exposure.

The good news is that DMC relented, and as of May 1 have been promoting the contest as having a $500 cash prize.

It’s definitely worth keeping an eye on the #dmcxstitchcontest hashtag on Instagram (warning: lots of salty language) to see how this all turns out.

Do you think designers should be compensated for work used by a big company? (Or even a small one?) I’d love to hear your thoughts!

[Photo: stephxstitch via Instagram]

Looking for more Snarky or Subversive Cross stitch charts and designs? Check these out on Etsy. 

Next Pattern:

Comments

  1. Absolutely, a designer should be compensated for their work. It takes a lot of time and effort to create something. At least a small gift would be appropriate.

  2. Good Grief, YES we should be compensated! The time we crafters spend honing our craft and designing for the enjoyment of others is every bit as valuable and anyone else’s!

  3. I absolutely agree that artists need to be paid for their creativity – regardless of the size of the company/organisation. There would need to be a very good reason for why the artist ins’t paid – e.g. terms in the contract/agreement that state that the artist will be compensated in other ways. It’s disappointing that it took such a public reaction for DMC to update the competition to have a $500 prize for the winning design, as they will still make a significant amount of money from the sales of their floss via their website and global stockists.

    I hope that DMC are able to learn from this experience and that in the future, there are similar competitions and ways in which artists are able to get the exposure they want, need and deserve.

  5. Well, of course they should! Even if the company had a good reason for not awarding a cash prize, they could at least have offered supplies in return for the design.

Have you read?

Do You Park Your Cross Stitch Thread? Try The Royal Roads Method

I have not done a lot of big cross stitch projects, but sometimes even with small projects it can be hard to decide exactly where to begin and how to work through the chart if you’re working with multiple colors. The general categories for the possible methods are known as cross country and parking. 

Cross country means that you’re working one color at a time, moving around the chart (or the section of the chart you’re working on) until you’re done with that color. Parking means you’re working in a smaller section and doing all the colors in that area, “parking” the threads by leaving them attached to the canvas but out of the way while you finish each section. 

Royal Rows is a specific way of parking named by Alison Royal, which is explored in detail on a post on Stitching Daily. 

The idea is that you’re working one “tower” of stitches at a time (she uses a section of 10 stitches across by 20 down, but you can do whatever makes sense to you). You work all the stitches of a color at a time, starting at the top left and working your way down. When you’re done with a color you can park it where needed in the section below your current tower (known as the dungeon) or in the “east tower,” which is the section to the right. 

There’s also a specific way of dealing with thread ends when you’re done with a color. This is a super simplified version (head to the blog post at Stitching Daily to get all the details) but the basic idea is that you’re working from left to right and top to bottom across the work, parking the threads in the next section when you’re done with them and systematically choosing which color to work with next. 

The whole idea of parking is kind of overwhelming to me though I will admit that it makes a lot of sense. I guess I need to try it on a smallish big project and see how it goes. Do you use the parking method of cross stitch? I’d love to hear about it!

[Photo via Stitching Daily]